Two Tune Tuesday: The Jam

Paul Weller‘s still around & doing cool stuff, but ah, The Jam — in some ways the ultimate British band. Yet it’s just a short stroll from “Beat Surrender” to Philly Soul, no?

“Going Underground” is about as close as I got to a manifesto when I was 18. Much thanks to Hillary, Melissa, Chris, Peter, and my brother Joe = all of whom played some part in making a Jam fan of me. Hear more here.

Happy Easter.

Rufus Wainwright’s cover of Leonard Cohen’s “Hallelujah” = nothing like a gay musician covering a Jewish songwriter’s song for a big Christian holiday.

(h/t to my BiL Ian)

Two Tune Tuesday :radiohead:

A friend recently admitted, shyly, that he can’t seem to “get into” Radiohead and asked me what, exactly, I like about them. My first thought was “What’s not to like?” but then I said things about their unusual rhythms, the layers of sound, the density of the expression. Good lyrics. They are, in a nutshell, a lovely electronic tilt at a quixotic world. They’re also the first band Betty turned me onto; I returned the favor with Elvis Costello.

The first song I heard was the first one here, “High and Dry.” “No Surprises” was probably my next favorite.
“There There” is my favorite song in the world to dance to. Really. (Followed closely by “Idioteque” which seems to be one of Thom Yorke’s favorites to dance to as well.)
“Stop Whispering” is the perfect angry but exhausted song ever.

So, yeah. (There’s plenty more Radiohead I could add, but theoretically, at least, it’s one thing to double “two tunes” another to make it “Twelve Tune Tuesday.”)

Two Tune Tuesday: David Garza

Ah, David Garza: I discovered him years ago & he has been scratching my itches for a long while. His range is amazing, his love songs heart-breaking (or, happily, heart-warming) and his voice is hot hot hot. This is a decent sampler but there are a lot more styles he’s done; if you can find somewhere to hear a song called “One Drop” go do it.

Two Tune Tuesday: April Smith

Oh, how I love her. She nails that perfect mix of pop cheeriness with clever, cutting lyrics.

but when they bring me back to you
& tell you that I’m shiny new
the girl you see may not be me behind these eyes – anymore


Honestly, how can you not love a band that can work a kazoo unironically?