Trans Lawyers

Donna, one of our mHB forum moderators, happens to be the only person we know of who has ever transitioned while working as an attorney at a law firm in New York. Recently she came upon an article about how great it is to be a GLBT lawyer these days, and her reaction was, “Maybe GLB – but T?” and wrote a letter to The American Lawyer about being trans and a lawyer. She refers to a report by the NYCLA from 2005 (which Caprice, another one of our mHB forum moderators, worked on):

A survey by the New York County Lawyers Association of the 25 largest law firms in New York City in early 2005 asked how many attorneys had ever transitioned (that is, publicly changed their gender) while working at those firms. Every one of the firms answered “none.”

She came to the conclusion that in this case, the use of LGBT is used more “reflexively” and so, for T people, “essentially meaningless.”

Thanks to Donna for being willing, not just to transition openly at a law firm, but in being willing to out herself for the sake of setting the record straight, especially because there are, at this point, quite a few people she deals with professionally who don’t know about her history.

Wrong Side of a Good Thing

I read this great article about Diane & Jake Anderson-Minshall, who just co-wrote their first mystery novel, Blind Curves, and this line stopped me short:

“I would say Susannah was my wife, and they’d tell me she would have to contact them,” Diane says. “Now I say Jacob is my husband and it’s immediately accepted.”

Because Diane is, of course, talking about the difference in how their relationship is perceived by others now that they’re “straight.” I’m pretty certain they don’t think of themselves as straight, of course, but they are legally married now, and wow – it surprised me how much that one sentence stuck in my craw. I feel like I’m on the wrong side of the equation, even if I know full-well how difficult it is for partners like Diane and other lesbian-identified women to “give up” having others perceive them as lesbians.

But still. Damn.

Letter to a Hopeful Writer

I get a lot of emails from people who want to publish a book, which is an entirely different thing from wanting to write, and that’s a distinction hopefuls should be clear on. Writing is something more like a calling – you do it or you don’t do it, you can write your whole life & never publish, you enjoy it or you do it because something in you compels you to.

Being a published writer is a whole other can of worms, since publishing comes with agents and editors and publicity and amazon.com sales ranks. That’s a different game altogether, but I assume that most people who ask me about writing their own book want to know what it’s like publishing their own book. I recently wrote back to one such person and this is what I said:

I wouldn’t write if I could do anything else. It’s just too hard. Your books are your babies, and as soon as you write something, people assume it’s okay to rip you a new one. That is, I don’t mind bad criticism – well I don’t like it either – but you learn how to deal with it in writing workshops. At least I did. You want to write better, and good critics can help you do that, if you listen to them. However, there are a lot of people who are just hyper-critical, & you have to deal with them, too, which is not always as easy.

Then, there’s very little money. One writer I know who had a bestseller won’t quit her day job because as the publishing industry will frequently remind you: you’re only as good as your last book. Richard Russo didn’t quit teaching till he won the Pulitzer! So the reality is, with writing, you always need another job, and it’s very hard to do two jobs well. That is, if you love the 2nd job, it never gets as much attention as you’d like, & neither does your writing. It’s always feeling a little torn in half. So the ‘making a living’ aspect of it pretty much blows.

What else? It’s hard. It takes patience. If you’re ever in NYC I can show you my stack of rejection letters, and there’s no writer alive that doesn’t have a bunch of those. (Ironically, I think it’s Melville who holds the record, & most of them are rejection letters from publishers who didn’t want Moby Dick.) There’s a lot of ways to be cheated – by publishers, agents, etc. – that you have to be on the lookout for, and publicity support from publishers is getting worse & worse.

& Of course you have to keep track of your ego, realize that people think they know you even when they don’t, and you have to be able to speak well on radio, on TV, & anywhere else.

Mostly I’m appreciative that the books I write have helped people. It’s a pleasure to be able to use whatever communication skills I have in order to relieve some people’s suffering. I haven’t had a novel published yet, but even having friends read my fiction is satisfying. Basically, there’s this unnameable thing about writing that is cool and satifying in a deep way for me, and as Betty would tell you, I never radiate more “happy buzz” than when I’m working on something.

But do I like it? No. If I could find something else that would scratch that existential itch the same way, I would do it. But short of creating Tibetan sand mandalas, I can’t really imagine doing anything that feels more time-consuming, detail-oriented, or more tenuous. A long time ago, & without my permission, writing became my way of talking with myself in order to make sense of my world. It doesn’t always work, but it keeps me from gunning down strangers, at least.

Born in the Wrong Body

I’m up in the middle of the night for no reason whatsoever, so I wanted to let people know they should keep an eye out for an MSNBC program called Born in the Wrong Body. We caught it tonight & were pleased to see the focus on a younger trans generation, since their situation is sometimes very different than ours.

I especially loved a male partner’s description of being with a transwoman, which he explained by saying: say you like hamburgers but you don’t like fries, & someone offers you a happy meal – you’re not going to turn down the whole thing just because there’s one part of it you don’t like.

Clever. I wanted to wish all the young adults and the author Cris Beam – whose book Transparent is (I think) the impetus behind both this show & Barbara Walters’ upcoming 4/27 show on trans youth – the best of luck.

(& We are, of course, discussing it over on the mHB message boards, though feel free to post a comment here if you’d prefer.)

Philly IFGE

When we arrived at IFGE, we were greeted nearly immediately by Veronica Vera & Mariette Pathy Allen, even while we were checking in! Miss Vera would answer the question “Are crossdressers obsolete?” in her opening remarks the next day, & she looked fantastic. (Her answer, in a nutshell, was “no.”)

Crossdressers made a graceful stand for their place in the trans community this year, as in addition to Miss Vera, Miqqi Gilbert received a Trinity Award & delivered an acceptance speech that both (1) asked crossdressers to step up & (2) asked anyone who would disrespect or exclude CDs to step off. I was damned glad to hear it, since there really are some trans women who come off so smug I often feel tempted to mention that being a woman does not prevent one from liking crossdressers.

Donna Rose (author of Wrapped in Blue) & Alyson Meiselman (one of Christie Lee Littleton‘s lawyers) won Trinity Awards as well, which was an interesting juxtaposition, since Donna Rose is on the Board of HRC, which I imagine Meiselman considers something like the Evil Empire, since she delivered an acceptance speech that detailed exactly how much groups like Equality Georgia (& by extension, groups like HRC) sold out the trans community by not excluding “gender identity & expression” in legislation that got them theirs (discrimination protection for gays & lesbians).

Dallas Denny was given the Virginia Prince Award for Lifetime Achievement, and intended to explain that she’d turned down the award in years past because she was the paid editor of Transgender Tapestry at the time, but as she stepped down last year, she felt free to accept it this year, & did so with a concise list of what concerns her about the current state of the trans community (underfunded orgs) & what encourages her (the increases in visibility).

The biggest, nicest surprise for us was having Jamison Green unexpectedly in attendance. He stayed over from having given the keynote at Trans Health the previous week in Philly. His presence always adds some warmth and intelligence.

Our favorite new personality & friend was Ethan St. Pierre of NTAC & TransFM & FUAH. (NTAC, btw, has merged with IFGE, the news of which was announced at this conference.) Betty finally got to meet the irrepressible Monica Helms, of TAVA, who I met last year when I went by myself, & many games of wise-cracking pool were played.

& There ends the bigwig update from IFGE. More on our personal experiences when I get there.

Back from IFGE

‘Twas a lot of week while we were away: we left for IFGE Wednesday, and the very next day I accepted a job to teach Gender Studies & heard news of Kurt Vonnegut’s death; later I found out my uncle had died, too. On Saturday we got a call from our cat/fish-sitter who had to tell us our Omega – the last of our first generation of fish – had died as well.

Our 9th anniversary of having met was on Saturday, and New York State managed to get us our tax refund on Friday. I sold all the books I brought with me to IFGE – 27 in all – & I decided we should probably invest in a laptop for the rest of this tour.

Much more when I’ve gone through the mail, emails, & the like.

Rachel Kramer Bussel’s She’s on Top

shesontop I’ve been reading the stories in Rachel Kramer Bussel‘s She’s on Top: Erotic Stories of Female Dominance and Male Submission, and quite a few times I had moments while reading when I got really excited: I mean, a whole book dedicated to women demanding and getting the orgasms they wanted! If that isn’t exciting, I don’t know what is.

I suppose I don’t have to point out to my readers that the subtitle makes it clear that we’re dealing with binary gender only. This isn’t Fictionmania. It’s not intended for trans readers per se but what erotica is? There is some genderfuck in it, specifically a story called “Why Can’t I Be You?”. The women on top are all dominating men, most of whom seemed to have heartily throbbing parts.

I don’t say that like it’s a bad thing, because I can’t bring myself to disagree with the notion that A Hard Man is Good to Find. Still, I did get a little tired of all the hard cocks and longed for a story about a guy who was turned on but who couldn’t get it up, or a woman who was so demanding her man lost an erection from performance anxiety – something a little more problematic, or romantic, or embarrassingly funny, even, the way good sex so often is.

But of course erotica can still be sexy even when there are only binary genders involved and even when the strap-ons don’t strap-off. (Imagine!) It was just funny to notice that I’ve become used to more queer, more genderfuck’d, and more extreme kinds of hotness these days. Occasionally even Wile E. Coyote looks back at the cliff he’s just run off, no?

Each of these stories is about a different woman and by a different author, and often it was their brevity that was refreshing, because they did what porn should do: painted the scene & planted the suggestion while letting your own dirty little mind fill in the details. But for those of you who like strong women in heels and hose who know how to give orders – and I know you’re out there! – this book is a long-awaited companion, and highly recommended.

There is one story especially some of you might like – dominance in period clothes, you might call it, but the author called it “Victoria’s Hand,” & it’s intense, playful, sexy, and while historically inaccurate in its terminology, it’s close enough to do the trick. It was hard not to think of Betty having played Algernon in Wilde’s The Importance of Being Earnest while I read it.
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