Virtual Book Tour

Today The New York Times published this piece, “The Author Will Take Q.’s Now,” about what it’s like to be an author these days. The funny thing is that I probably do more in-person touring because of the various trans conferences, and because – let’s be honest- the trans community isn’t the same as a bunch of people who are enthusiastic about baking or reading novels, because there are real needs involved, whether for trans people or partners themselves or for the community as a whole.

Still, if any of you are regular readers of other blogs, especially ones that review books and authors, do let them know about my book so that I might guest blog elsewhere.

James Frey, Sure, But Not Chris Rose

From the This is Oddly Familiar Department:

Author & New Orleans Times-Picayune journalist Chris Rose has an anthology of essays out called 1 Dead in Attic, all of them written in the aftermath of Katrina. I read a lot of them online, including the one he wrote about battling depression as a result of the devastating hurricane. It turns out his editor got a call from the producers at Oprah, who in turn told his editor that they didn’t want him to talk about his book at all – they just wanted him to talk about his depression. So much for years of journalism, and for writing some of the best essays to come out of Katrina – stripped as an author, he just gets to be a sad guy talking about his experience going on anti-depressants as a result of the storm.

Silly show, Oprah. It really is. You’d think a woman who made her way to stardom via a movie based on a well-received novel would show a little more respect for writers.

& This is Oddly Familiar to me, of course, because it’s exactly what happened to me on The Dr. Keith Show, & Dr. Keith is also the author of books & knows from publicity. They did at least put up something about Chris Rose’s book on Oprah’s website.

Pity they wasted all that time on James Frey, instead of giving airtime to a guy who wrote about what actually happened to him.

Five Questions With… Marilyn Frank

Marilyn Frank has been sharing her story with wives at Fantasia Fair, IFGE and Tri-Ess seminars since 1982. She married her husband Len in 1954 and didn’t learn about the cross dressing until 1964, 10 years and 3 children later. At that time the only information available to her was Virginia Prince’s book The Transvestite and His Wife (now titled The Cross-dresser and His Wife) which she still finds to be one of the best books written.

1) First, Marilyn, I want to thank you on behalf of all the partners out there, for stepping up at a time when most of us weren’t even in high school yet. Without women like you & Peggy Rudd, the struggle to have partners’ issues recognized would be a lot more difficult. So what caused you to do the educating you did?

In the 1970’s I was a volunteer on a crisis intervention hot line in Morris County, NJ. When I became Director, I questioned some of the professionals in the group, who did not know much about cross dressing, but were able to assist me in finding people who did know. During this time we came upon Tri-Ess, and then in 1980 Len read the article in Playboy about Fantasia Fair and in 1981 we spent a few days at the Fair. I had many discussions with Ariadne Kane about the wives’ needs, and this brought Niela Miller to the Fair and that’s where my true education began. Since it had been a very lonely road not only for Len, but for me, I decided I would reach out to help others, so that’s when I started facilitating a wives group at our local Tri-Ess Chapter, which I did for for over 10 years. I also was instrumental in starting the wives’ program at the first IFGE Convention. My philosophy is that every time I help someone, I help myself. It’s true the marriage had its ups and downs where the cross dressing was concerned, but for us it was a small part of our overall marriage. We have always had good communication, enjoy many of the same things and do have a sense of humor (that helps).

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Not So Little Disturbance

Grace Paley, author, activist, and feminist, died Wednesday night, August 22nd, 2207, in her home, after a long struggle with breast cancer. Her writing credits are astounding; the most famous of her books is the short story collection The Little Disturbances of Man which are spare and stunning glimpses into love and relationships, a gem of a collection. She was the first official writer of New York State.

But beyond that, Paley was an activist & a feminist:

However, Paley was known as much for her political activism on behalf of peace and women’s rights as her literary accomplishments. Paley was jailed several times for her opposition to the Vietnam War, and traveled to Hanoi on a peace mission to negotiate for the release of American prisoners in 1969. She helped found the Women’s Pentagon Action and the Greenwich Village Peace Center. She was one of the “White House Eleven” arrested in 1978 for placing an anti-nuclear banner on the White House lawn. Most recently, she actively opposed the war in Iraq.

(via the Feminist Daily News)

“Stuff I Supposed After Meeting Some People in a Gay Bar”*

* quote by Mara Keisling, when providing an alternative description of what Bailey’s book could be described as instead of as “science.”

This NPR show out of the Bay Area about the whole Bailey controversy is good listening. Joan Roughgarden (author of Evolution’s Rainbow), Mara Keisling (executive director of NCTE), Alice Dreger (author of Hermaphrodites & The Medical Invention of Sex) & Bailey himself.

& A challenging phone call from Ben Barres, who I love & who does not let Bailey not answer a direct question (with textual backup from Roughgarden), specifically, whether or not Bailey feels trans people are suited to prostitution.

The only thing that no-one said that someone should have said is that Bailey now has a history & a record of turning (at best) weak science into “controversy,” such as with the bisexuality studies that came out a couple of years ago.

I’m upset by the idea of how or if Dreger’s status as a woman – not just as an academic or intersex educator – is coming into play here. That is, is a man not sexist because a woman says he isn’t? (I don’t think so, but I think that’s coloring her defense of Bailey.)

Five Questions With… Eli Clare

Eli Clare is the author of Exile and Pride: Disability, Queerness, and Liberation (South End Press, 1999) and has been widely published. He has walked across the United States for peace, coordinated a rape prevention program and co-organized the first-ever Queerness and Disability Conference. He works for the University of Vermont ‘s LGBTQA Services. We were lucky enough to meet him at a Translating Identity Conference at UVM, and I was happy to get the chance to talk to him about his new book, The Marrow’s Telling, which was recently published by HomoFactus Press.

(1) Why poetry?

As a writer, my first love is poetry. I think of it as a thug who grabbed me by the collar many years ago and whispered in my ear, “You’re coming with me.” I went willingly, not having any idea where poetry would take me or what it would demand. Twenty-five years later I find myself writing a mix of poetry and creative nonfiction; my first book, Exile and Pride: Disability, Queerness, and Liberation, is a collection of essays, and my second book, The Marrow’s Telling: Words in Motion, which ought to be rolling off the press at any moment now, is a mix of poems and short prose pieces, not quite essays but more than prose poems.

Audre Lorde in her essay “Poetry Is Not a Luxury” writes of poetry as a “revelatory distillation of experience.” Poems demand both wildness/revelation–moments where language, sound, and rhythm, rather than thought or idea or analysis, take the lead–and discipline/distillation–the paring down to heart and bone. As a writer, a reader, an activist trying to make sense of the world, I need revelatory distillation.

I also know that in the United States too many of us have been taught to fear or avoid poetry, to feel bored or stupid in its presence. As an activist-poet, I always hope that my poems will be doors held wide open, roller coasters, parachutes opening above you, slow meandering rivers.

Continue reading “Five Questions With… Eli Clare”

Stardusted

Betty & I went to see Stardust for its opening last weekend because Neil Gaiman asked us to (not personally, of course, but via his blog) and we both really enjoyed the movie. It’s rare for me to like a movie – I find most comedies too mean-spirited, most romances too gendered, and since I don’t like movies all that much in the first place (which is something like sacrilege or anti-American to admit, even) as either entertainment or as an art form, Betty doesn’t convince me to go to many. I don’t find most of them deliver even $10 worth of entertainment.

But Stardust, I loved. I’ve long been a fan of Gaiman’s writing, for the fantasy, the sheer power & reach of his imagination, & the breadth of his research, but what I usually like about writers above all else is voice. You know, I was weaned on C.S. Lewis. I like a narrative voice that tells me a story in a personal way, and what comes across in Gaiman’s writing is not just a kind of bemused gentleness, but intelligence, a lot of compassion, & a kind of sly earnestness and respect for his characters that all adds up to good stories, well told.

I read the book Stardust a couple of years ago and didn’t re-read it before seeing the movie because sometimes you want to see if the movie will touch the kind of memory you have of the book – and with this movie version, I found it hit all the same notes as the book did, mixing a kind of whimsy with a remarkable wisdom. But mostly there’s that gentle compassion – for the dead brothers (despite their being power-greedy fuckers), for the star, & for the somewhat hapless young man who’s fallen in love with the wrong girl.

The only part I didn’t like was DeNiro’s performance, and that’s mostly because it was one long “poofter” joke. & For that to be in a Gaiman film – who is uncommonly sympathetic to his gay & trans & gender variant characters – it seemed out of character. As “poofter” jokes go, I suppose it was more sympathetic than most.

So go see it. Put aside the arch comments, the snarky sarcasm, the cruel retorts. Go see a story about naivety, stupidity, greed, vanity & ultimately, justice. But mostly go see a story about love, told well.

Julia Serano Does New York

We’re back from a lovely couple of days in PA with my family & will get right back into the groove with Julia Serano’s reading tomorrow night at Bluestockings.

She’ll be reading from her book Whipping Girl at 7pm, & of course we’ll be there. If you’ve never been, you can find directions on their website. If you haven’t read her book yet, do, but in the meantime you can read the interview with me & Julia in a recent issue of Curve (which I’m told is not quite on newsstands, but will be soonly). & If you’ve already read that, & can’t make the reading, then go read some of Julia’s writing on her website – I especially recommend her “Barette Manifesto.”

& Yes, I’ll be doing a Five Questions With… interview with her soonly.

But wow is the weather better in the mountains of PA.

Cats, Quilting, & Publishing Mysteries

For the aspiring authors out there, an interview with a book contracts insider. Most interesting to me:

While few of us would turn down a big advance if we were lucky enough to get one, but if you’re aiming to be a writer with a lengthy publishing career, starting out small isn’t such a bad thing.

She talks about the value of having an agent, and what to do if you don’t have one when you’re signing.

This optimistic bit is surely good for plenty of as-yet-unpublished authors to hear:

It occurred to me then that if there’s a market for books on cats that quilt while solving crime, there must be room out in the world for my story.