Tag: Calpernia Addams

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Context, Culture, Community

Here are two amazing pieces written as a response to the recent uproar about the use of the term “tranny” but also due to the one caused by a series of articles about Leto playing Rayon and the potrayal of trans women in mainstream media.

The first, by Jen Richards, takes an intersectional, intergenerational approach to looking at the conflict that happened between Parker Molloy (whose work I admire) and Calpernia Addams (whose work I have admired for a long time), and about whom Jen Richards writes:

Her story is not an unusual one for trans women, particularly those of us who came of age before the dominance of social media. The clubs I first went to were gay ones, and the lines between fag, queen, tranny and crossdresser were not always apparent, certainly not to anyone on the outside. In those contexts, differences within the group mattered less than the shared safe space.

For Addams and her followers, Molloy’s criticisms of Jared Leto and RuPaul, her fixation on language and general focus on victimhood, is emblematic of a view of trans women that is, if not inaccessible, at least not understandable. Many of these trans women have carved out unique paths through transition, often outside of a community context, and some young straight trans women may not have ever identified as gay men. Others bend gender and sexuality in ways that exist comfortably outside of the binary and heteronormative view that Addams represents.

The second article, by Cristan Williams on TransAdvocate, does a linguistic, historical review of the usage of the term “tranny” that is just – GREAT. It reviews various appearances of the word from 1985 onward, with sources such as Law & Order, a review of Hedwig, to the use by the “Tranny Roadshow” in 2005. It closes with the following questions:

  • What impact does an obviously very popular context of framing the trans experience (tranny) have on social justice movements?
  • When the majority clearly associates “tranny” with the sex industry while the gay and drag community associates the term with performance and partying, will this affect the ability of the GLBT community to communicate well? 

I would ask one more: is it possible for us within the trans community to use this term but simultaneously object to its usage in a mainstream context? It was always “insider” language for me – never a term I used outside of trans contexts – and a term I have since stopped using altogether, precisely because I am not trans.

These two together are really, really good stuff, giving us not just context, but history and a stronger sense of the struggle of a community to come to terms (oh! I said it!) with its own language and diversity.
The one thing I am sure of: these dust-ups hurt the people involved in them. What doesn’t help is name-calling, condescension, and a too-quick willingness to condemn the very people who are trying to move shit forward.

 

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Calpernia Addams on Acting, Trans, and Representation

Calpernia Addams – the “Callie Adams” Jared Leto thanked from the stage at the Oscars – wrote a piece about trans people, representation, and Hollywood that I think is worth reading.

Jared Leto was kind enough to mention me in his 2014 Independent Spirit Awards acceptance speech (as part of a typically “Jared” list of people involved in the film alongside random notable people) and next he really surprised me by thanking me in his Oscar acceptance speech.

As I’ve said before, my job was to sit down with him and answer lots of questions about what it’s like to be trans, and to make a recording of me reading his lines from the script. From there, Jared did Jared’s thing: a brilliant, eccentric artist created his own performance of a movie character. A movie character who happens to be some form of trans, in this case. Some of his follow up speeches left something to be desired when it came to speaking well on the issues facing his movie character, especially against the backdrops of current politics and social movements. I suppose it’s doubly rare to be a gifted artist AND a great political speaker. But personally, I thought Rayon seemed like a nice person and a real human being. I’ve known people like Rayon.

Anyone who’s followed my 11 years in Hollywood knows that I’ve always advocated for trans people to play trans roles. But I also refuse to shoot down powerful people who take steps to bring human trans portrayals to the screen, even if they are played by a non-trans female (Felicity Huffman in Transamerica, Hilary Swank in Boys Don’t Cry) or a non-trans male (Lee Pace in Soldier’s Girl, Jared in Dallas Buyers Club). To all indications, Georges du Fresne was not a trans child when he played “Ludovic” in Ma Vie En Rose, but that incredible film continues to resonate with trans people and families of trans children. Good and important portrayals can come from non-trans actors. That may be an inconvenient truth, but there you have it.

Sure, I’d love to get these roles as an actress with a history of transition, or see them go to other trans actors. Heck, I’d love to play non-trans roles! But I’m not so short-sighted that I’ll destroy allies and advocates. Even less than perfect allies, if I think the overall contribution is beneficial. This is a view that comes from long actual experience and familiarity with the business. Some small but vocal groups will disagree; that’s just the nature of contentious issues. You can do your thing and I’ll do mine. There are many ways to contribute.

But beware: the same logic that leaves zero room for a non-trans actor to try a trans role will then be used to mandate that trans actors should not be able to play non-trans roles. And that would piss me off.

Leto’s “Rayon” is not the rock upon which I’d make my last stand concerning this issue. His performance is just an inspiration for this discussion. I advocate for positive portrayals and opportunities for trans people in the media. Some people are displeased that this particular portrayal, “Rayon”, is another trans sex worker role. Another trans addict role. Another trans “mystical advisor/comic relief” role. Another “trans person punished in the end” role. Those are indeed over represented portrayals, and I do want more balance… Soon! But I have known people like Rayon. She is not a made-up grab bag of random hateful attributes. She’s a portrayal of an uncomfortable segment of the trans experience that a few TLGB folks would rather be erased and not discussed. I think many of the haters hate Rayon because she isn’t beautiful, she isn’t passable, she isn’t gender binary, she isn’t 2014-political. And when I see that elitist hypocrisy, I’m inclined to push back and write essays like this.

It’s hard being trans, more so in the era and circumstances of Dallas Buyers Club. I’ve known plenty of trans sex workers, self-medicators, wise teachers, hilarious weirdos and people taken before their time due to violence and lack of healthcare. I’ve known trans people very much like Rayon, and maybe if some people got up from their remote-activism-devices (computer screens and smartphones) and left their ivory towers and privilege-bubbles, they’d meet a few people like Rayon face-to-face, too.

Then they could see that a human portrayal of this real segment of the trans community is a good thing. Even if it’s by a non-trans person.

Please do hire trans actors for ANY role, especially trans roles. But please don’t shoot trans people in the foot by attacking allies willing to open the door for us as we approach equality.