On the MHB Boards, Emilia posted a link to an essay by trans educator Raven Kaldera that I thought more people should see. It’s called A Letter to Would-Be Transsexuals, and points up twenty areas of change that will impact your life if you transition. I thought it was accurate and not sugar-coated – the kind of essay I like best.
More of Raven Kaldera’s writing on trans issues can be found on his website: www.cauldronfarm.com.
He’ll also be presenting at Dark Odyssey, where Rahne Alexander, me, Joe Samson, and other transpeople who will be talking about the many aspects of trans sexuality. (Dark Odyssey is not a trans conference, but an all-kink inclusive sex conference.)
The essay is also being discussed on the MHB Boards.
Five Questions With…
I’m introducing a new feature to the blog called “Five Questions With…” in which I’ll ask someone in the trans community five questions that they answer. Kind of like mini-interviews.
The first will be upcoming shortly, with Gwen Smith, Transmissions columnist and originator of the Remembering Our Dead project.
Stay tuned.
A Room of Her Own
Recently, a transwoman wrote to me casually that all she ever wanted to do was be a ________. As a child, as a teenager, as an adult, she (then he) was intent on that goal. My first impulse was to think that I’ve never had that kind of calling, that kind of goal, but then – a few days later – I realized that’s not entirely true, either.
The problem with wanting to be a writer is somewhat like discovering you’re trans. You’d prefer anything else. You’d prefer a magic wand of a “cure.” You know it’s going to cost – socially, financially, familially – so it takes a while to admit to yourself who you are and own it, as the kids say. It’s as if something in you knows not to say it out loud, not to commit to that secret yearning in the corner of your heart.
I’m still waiting and hoping for my calling to be an accountant much as Betty is still waiting to feel comfortable living as a man. We may as well buy lottery tickets if we’re already playing odds like that.
I know exactly why I never knew, much less articulated, my urge to be a writer. I grew up working class, and writing was not on the list of career choices. It wasn’t a job. It was a luxury of rich people, the earned perk of a family that already had a generation of college educations and healthy business professions. My older sister was the first in our family to graduate from college, though a few of her siblings, like me, followed after. She is a banker. One brother is an accountant. Another runs the regional area for a supermarket chain. Another is a psychologist. In a nutshell, they all chose practical careers.
They make me feel like the dreamy, impractical baby of the family, which is, in a sense, what I am. During a recent family discussion (read: argument) my brother asked my sister why I didn’t have a full-time job. To her credit, she answered, “I don’t know, but why haven’t you written a book?”
His critical questions aside, I’ve been learning a lot about the publishing industry. While holding my breath (and pulling my hair and stamping my feet) through the negotiations around my next book, I’ve wondered why I’m in this profession at all.
I write because it’s what I do. I’ve kept a written journal since I was nine, which is about the same time I wrote my first short story (Called “Rainy Day,” it was a two-page ripoff of Madelaine L’Engle, of course; I’d just read A Wrinkle in Time.) I had to get married in order to be able to write full-time. The feminist implications of having marriage deliver this wish don’t please me.
Writing is about time.
“What no wife of a writer can ever understand is that a writer is working when he’s staring out the window.”
Rudolph Erich Rascoe
I’m lucky to have a husband who understands that even without a job, I’m working. Betty is a voracious reader, who actually enjoys having a writer for a wife. Still in all, what are the real problems of being a woman writer – even a married one?
- Here are some things to think about:
- Only 9 out of 52 winners of the National Book Award for Fiction are women.
- Only 11 out of 48 winners of the Pulitzer Prize for Fiction have been women.
- Women writers won 63 percent of the awards but less than 30 percent of the money in awards and grants reported by Poets & Writers. (January/February 2003 issue)
- In 2002 all but one of the Pulitzer Prize finalists for Fiction and Poetry were male.
- 94 percent of all the writing awards at the Oscars have gone to men.
- Only 25 percent of the advisory members of the National Endowment for the Arts are women.
- 68 percent of total art income in the U.S. goes to men and 73 percent of all grants and fellowships in the arts go to men.
(Source: A Room of Her Own Foundation)
The Humanities are supposed to be woman-friendly, too! I can’t even imagine what the stats are for women in the Sciences; I almost don’t want to know.
It’s a bit easier to understand why “I want to be a writer” never crossed my lips as a child, isn’t it? It is for me. Some days I’d still like that calling to be an accountant, maybe just for a little while, so that when I’m 40 or 50 I can quit accounting and write full-time without caring who the writing awards and grants go to and maybe even fund a few of them myself.
Queer Boys in NYC
My friend Doug McKeown and some other writers of the Queer Stories for Boys anthology are reading this Friday night at the Chelsea B&N. (Where else but Chelsea, you might ask?)
Betty & I are hoping to go. Here’s the scoop:
Queer Stories for Boys: BOOK READING and SIGNING
by editor Douglas McKeown and contributors James Campbell, Ronald Gold, Robin Goldfin, Brad Gretter, and Derek Gullino
Friday June 24 , 7 p.m.
At BARNES & NOBLE Chelsea
675 Sixth Avenue, near 22nd Street
Book Expo
i’ve been going to book expo every day including friday; today is the last day.
apparently to publishers other than my own, being a lammy finalist *does* mean something.
it is a nuthouse. the directory of exhibitors is larger than most phonebooks of most US towns, no kidding. there are literally thousands of people – all the traditional publishers (the big ones, like simon & schuster, have their own zip codes, with 25 employees on the floor) and then there are the tiny ones, the radical presses, the lesbian pulp fiction publishers, the green press, ipublishers, = you name it. i had no idea how vast the publishing industry is.
the coolest thing is FREE BOOKS! there were signings today by nick hornby & orson scott card (& gloria estefan & half a million other people i had no interest in), & it’s just like a bookstore signing – except they GIVE you the book. very cool. i’m only limited by how much weight i’m willing to carry around. my feet – well, i should be hobbled by monday.
anyway, there should be good news in not too long. hopefully a couple of weeks. i’m getting *way* more interest than i expected, & occasionally from suprising corners. so in a sense, i “mapped” in terms of the larger publishing industry, & that pleases me no end.
& i also have the good news that barbara carrellas is going to be publishing a book about “urban tantra”! i ran into her & kate bornstein today. (they’ll also be at DO in the fall, btw.)
& spent the whole day with jamison green yesterday, who is one of the most intelligent, remarkable people i have ever met. for the record. you should all go buy his becoming a visible man it definitely should have won the lammy (if MHB didn’t!)
so it’s insane, yes, but kind of buzzing with energy and books books books. i strongly recommend it for writers who are wanting to get published. in three short days you can talk to all kinds of editors, attend workshops, meet agents: kind of like a crash course in publishing.
Voices of New York
Last night I had the pleasure of reading with 7 other Lammy nominees at the Center, and it was a very cool event. (Aaron Krach, author of Half-Life, commented that he wished all readings had been like last night’s: five minutes, no Q&A, with a bunch of queer, friendly people in the audience.) I’m really thankful for Lambda Lit, because as I sat there listening to the readers, it occurred to me how stupid it is that there is so little room in mainstream publishing for GLBT writers. The stories were remarkable: one about an older man who’d fallen in love with a man with Downs Syndrome (Perry Brass, from Serendipity); another about a married man whose male lovers were being killed by a murderer (Gary Zebrun’s Someone You Know); another about a young Irish lad’s meeting with his priest at his mother’s behest (Damian McNicholl’s A Son Called Gabriel, and whose blog I just checked out); another a confrontation between a lesbian of color and her father (Laurinda D. Brown’s Fire & Brimstone).
They were all powerful stories, they were all stories that went beyond some definition of GLBT. They were about what stories are supposed to be about, the quiet little ways we suffer and rejoice in being our lovely, pathetic selves. But at the same time, without the Lammies, who would recognize a wife’s story of her trans husband’s beauty? Where else would I meet people who’d tell me about the tranny they knew, growing up?
It was a lovely night. I’m not 100% better, not yet, but I was damned glad I wasn’t still contagious, and could be there. I regret having missed the reading in DC even moreso now, but I am very much looking forward to the Awards Night at on June 2nd.
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New York Times review of Betty's Show
an excerpt from The New York Times review of the show Betty is currently acting in:
This is perhaps Ms. Adamson’s greatest insight. Kafka’s writing is tinged with sadomasochism and voyeurism like the best pulp fiction, and this production is saturated in sex. In desire as well as law, everything is provisional, declarations are nothing but proposals, and the apparent is just as good as, if not better than, the real. This noir reading is at its most effective in a comically creepy scene when Joseph K. visits the garret of the court portraitist, Titorelli, played by a throaty, androgynous Jason C****.
Vote!
Don’t just vote – vote for Kerry!
For Helen, The Nation’s endorsement says it best; for Betty, The New Republic’s does.
Website Updates
As you may have noticed, Betty & I have been updating the website. Mostly Betty does the work, for which I am eternally thankful.
Here are some new changes/section of the site:
Press Kit (lists my publications, events we’ve been to, print/radio/tv media we’ve appeared in, etc)
Praise for the book from the TG community, the publishing industry, & other assorted places
AND what you’ve all really been waiting for, photos!
Enjoy!
Helen
**
4/18/06 Update: Helen Boyd’s Press Kit has been moved, as have the reviews of My Husband Betty.